"Advertising at the End of the World" begins with perhaps the best opening line I have seen this year:
Five years after her husband died, two years after she moved to a cabin in Montana, and six months after the world ended, Marie opened her curtains to discover her front garden overrun with roving, stumbling advertisements.The "advertisements" are programmed humanoids, determined to keep pitching the products of vendors long since wiped out by plague. The initial image of walking advertisements mindlessly tromping through survivor Marie's flower garden has a whimsical feel, but Kehrli soon turns the story in a wistful direction, as the advertisements remind Marie of everything she has lost.
Keffy Kehrli only began selling fiction in early 2009, but he has already published stories in Apex, Talebones, and Sybil's Garage, with more forthcoming in Electric Velocipede and Fantasy. Apex, a print magazine turned top-notch e-zine, is notable for publishing up-and-coming authors like Ekaterina Sedia, Theodora Goss, Lavie Tidhar, Eugie Foster, Jennifer Pelland, and Aliette de Bodard. If "Advertising at the End of the World" is any indication, Keffy Kehrli belongs among such company.