Showing posts with label Libba Bray. Show all posts
Showing posts with label Libba Bray. Show all posts

Thursday, September 17, 2015

Battle of the 2012 Books, Bracket Eight, First Semifinal :: The Diviners by Libba Bray vs. Osama by Lavie Tidhar



Our first semifinal match in Bracket Eight of the Battle of the 2012 Books features The Diviners by Libba Bray going against Osama by Lavie Tidhar. The winner, the book I (Aaron) most want to continue reading after 100 pages, will advance to the championship round.

The Diviners: Little Brown, September 2012, 578 pages, jacket illustration by I Love Dust. The Diviners is a young adult fantasy set in the roaring 1920's. The Diviners made it to the semifinals by soundly defeating Sharkways by A. J. Kirby in the first round, and by overcoming Your House Is on Fire, Your Children All Gone by Stefan Kiesbye in the second round.

In the opening 50 pages of The Diviners, teenaged flapper Evie O'Neill arrived in 1920s New York, determined to make a splash. Evie is rather self-absorbed, but that's partly to mask her pain over her brother's death in the Great War. In the next 50 pages, Evie starts blending into the Manhattan social scene. She also accompanies her uncle, who is summoned to a murder scene as an expert in the occult. Using her strange ability to pick up thoughts from physical objects, Evie sees the victim's brutal murder and learns that an evil presence is loose in New York. Based on cryptic intelligence from her uncle, we suspect Evie will be one of the "Diviners" who will have to battle this presence. Another is Harlem numbers-runner Memphis Campbell, who had healing powers as a child, but abandoned them after they failed him when he needed them most.

Osama: Solaris, October 2012 (published in UK by PS Publishing in 2011), 302 pages, cover art by Pedro Marques. Lavie Tidhar is an Israeli writer now living in London. Osama won the 2012 World Fantasy Award. Osama made it to the semifinals by overpowering The Steam Mole by Dave Freer in the first round, and by defeating Beyond Here Lies Nothing by Gary McMahon in the second round.

Osama takes place in an alternate universe where Islamic terrorism occurs only in the pages of a series of pulp novels called Osama bin Laden: Vigilante. In the opening 50 pages a mysterious woman tasked our hero, a private eye named Joe, with finding the author of the Osama books. In the next 50-page section, Joe explores Paris and tracks down the books' publisher, despite warnings from some American thugs who do not want him to continue with his assignment. While in Paris, he meets another strange woman, who ends up vanishing from his arms, the most obvious of several signs that the reality of Joe's universe is rather tenuous.

The Battle: Judging the Battle of the Books gets difficult once we're to the semifinals, because the books that get this far are usually really good. Both The Diviners and Osama are well-written and mostly successful at everything the authors are trying to do.

Through the first hundred pages of The Diviners, the main protagonist Evie is engaging even though flawed. The narrative is funny when Libba Bray wants it to be, and genuinely chilling even to an adult reader when things get ominous. Bray effectively conveys the mood of the roaring 20s, with a narrative voice that nicely suits the period, for example in this scene where Evie's friend Mabel introduces her to a pair of elderly sisters residing in her building:
The Misses Proctor wore their long gray hair curled like turn-of-the-century schoolgirls. The effect was odd and disconcerting, like porcelain dolls who had aged and wrinkled.

"Welcome to the Bennington. It's a grand old place. . . . Sometimes you might hear odd sounds in the night. But you mustn't be frightened. The city has its ghosts, you see."

"All the best places do," Evie said with mock-seriousness.

Mabel choked on her Coca-Cola, but Miss Lillian did not take note. "In the seventeen hundreds, this patch of land was home to those suffering from the fever. Those poor, tragic souls moaning in their tents, jaundiced and bleeding, their vomitus the color of black night!"

Evie pushed her sandwich away. "How hideously fascinating. I was just saying to Mabel—Miss Rose—that we don't talk enough about black vomit." Under the table, Mabel's foot threatened to push Evie's through the floor.
That is a smart-alecky young heroine that I can get behind!

In Osama, Lavie Tidhar goes for a darker, more contemplative mood, but builds it just as successfully. His lush descriptions of a slightly altered Paris work very well. I love the contrast between Joe's noirish storyline and the excerpts from the Osama bin Laden: Vigilante books, which Joe and the other characters describe as pulp novels, but actually are narrated in a matter-of-fact style and are pulpish only in the sense that things often blow up.

Tidhar does a wonderful job of suggesting through subtle cues that the reality of Joe's universe is fragile. For example, when a bartender says of the odd woman Joe keeps encountering, "She's not all there," we're pretty sure he doesn't just mean she's crazy. Later, when Joe catches up to her again, she says she doesn't know where the fat man who publishes the Osama novels lives:
"Would you tell me if you knew?"

The girl shook her head again. When she looked at him, he felt trapped: he could not move away. The large brown eyes examined him, stripping him down without emotion, looking inside, a doctor checking for tell-tale signs of a terminal disease. "No," she said. "Why should I? He never did us any harm. And he cares, Joe. He cares. Life isn't a pulp novel, Joe, and death isn't either." And she got up and threw her head back and downed the drink, the last drink, and put down the glass on the counter and walked away, and he watched her, and it was another ritual established, another pattern followed, agreed upon, comforting. They both needed comfort, not of sex or even drink but of a reason, any reason, and in the absence of that there were only empty rituals. And the door closed behind her and the couples danced, seeking warmth in each other's bodies, and the slow recorded jazz played on, and the smoke from Joe's cigarette formed Lazarus castles in the air, gray and insubstantial, and he thought, I never told her my name.
Judge for yourself, but so far the enigmatic style of Osama is working beautifully for me.

So how to choose a winner after 100 pages, when both books are well written and entertaining? I want to give you some insightful literary analysis as to why one book is better, but I can't. All I can say is, if I were to declare Osama the winner, I would stop reading The Diviners. But if I were to name The Diviners the winner, I would continue reading Osama; I would not be able to put it down now if I tried. Which is what the Battle of the Books is all about.

THE WINNER: Osama by Lavie Tidhar

Osama advances to the championship round to face either Libriomancer by Jim C. Hines or A Pretty Mouth by Molly Tanzer.

To see the whole bracket, click here.

Thursday, July 02, 2015

Battle of the 2012 Books, Bracket Eight, Second Round :: Your House Is on Fire, Your Children All Gone by Stefan Kiesbye vs. The Diviners by Libba Bray

We begin the second round of Bracket Eight of the Battle of the 2012 Books with Your House Is on Fire, Your Children All Gone by Stefan Kiesbye against The Diviners by Libba Bray. The winner will be the book I (Aaron) most want to continue reading after 50 pages.

Your House Is on Fire, Your Children All Gone: Penguin Books, September 2012, 198 pages, cover photo by Simen Johan. Stefan Kiesbye is a German author now living in New Mexico. Your House Is on Fire, Your Children All Gone defeated The Age of Miracles by Karen Thompson Walker to advance to the second round.

In the first 50 pages of Your House Is on Fire, Your Children All Gone, three different first-person narrators look back on tragic events from their childhood decades earlier, in the small German town of Hemmersmoor. In the opening 25 pages, Martin recalled how a new family to the village was killed after being accused (probably falsely) of cannibalism. Then Christian told us how at age seven he murdered his sister when a carnival worker instructed him to capture her soul in a glass vial. The next 25 pages consist of a long chapter narrated by Linde, daughter of the gardener for the town's wealthiest family. When that family took in a widow and her child, Linde's mother began harboring suspicions about her husband and the widow. The mother pulls strings for the widow to receive a pension that allows her to move out, with unintended consequences.

The Diviners: Little Brown, September 2012, 578 pages, jacket illustration by I Love Dust. The Diviners is a young adult fantasy set in the roaring 1920's. The Diviners soundly defeated Sharkways by A. J. Kirby to advance to the second round.

In the initial 25 pages of The Diviners, a malicious spirit was released into the world, and we were introduced to two young people with strange abilities, flapper Evie O'Neill from Ohio and Harlem numbers-runner Memphis Campbell. A single long chapter about Evie arriving in Manhattan comprises almost all of the next 25 pages. While in the big city, Evie will stay with her uncle, an expert on paranormal activities. She learns from him of a prophecy of a "coming storm," the only defense to which will be "diviners" who can foretell the future.

The Battle: This one surprised me. While I liked the first section of The Diviners, I came to this battle expecting Your House Is on Fire to advance, because it had such a creepy and memorably unusual opening. However, the Battle of the Books format demands that authors quickly build upon a strong opening. Reading through page 50, I find it's Libba Bray who has best met that challenge.

The second 25-page section of Your House Is on Fire, Your Children All Gone is certainly not bad, but neither is it as tightly written or compelling as the opening section. Linde's first viewpoint chapter is perhaps too long, and it doesn't show the young Linde to have much personality (compared to the older Linde we've already seen piss on an old friend's grave). The chapter has a tragic ending, but it comes as the unintended consequence of a kind act, which doesn't match the punch of the previous chapters. Perhaps more importantly, Linde's chapter seems little connected to the prior chapters, giving the whole book an episodic feel through 50 pages.

Meanwhile, in the second 25-page section of The Diviners, Libba Bray hits all the right notes to build on a good opening. As with Your House Is on Fire, the chapter that makes up most of this section is longer than the previous chapters. But Bray effectively uses that space to let us better get to know her character Evie. Evie is a flawed young woman, much too concerned with what others think of her. But she is also fun-loving, despite her understandable insecurities, in a way that makes her easy to cheer for, for example in this scene when the first person she meets in Penn Station takes advantage of her friendliness:
Evie stood uncertainly for a few seconds. She stuck out her hand for a shake. With a smirk, Sam Lloyd drew her to him and kissed her hard on the mouth. She heard the shoe-shine men chuckling as she pulled away, red-faced and disoriented. Should she slap him? He deserved a slap. But was that what sophisticated Manhattan moderns did? Or did they shrug it off like an old joke they were too tired to laugh at?

"You can't blame a fella for kissing the prettiest girl in New York, can you, sister?" Sam's grin was anything but apologetic.

Evie brought up her knee quickly and decisively, and he dropped to the floor like a grain sack. "You can't blame a girl for her quick reflexes now, can you, pal?"
While this chapter focuses on development of Evie's character, Bray also manages to pepper in enough references to the larger conflict brewing around New York that the story still feels like it's moving ahead with a purpose.

YA urban fantasy isn't necessarily my first choice in sub-genres, but so far The Diviners is too much fun to put down.

THE WINNER: The Diviners by Libba Bray

The Diviners advances to the semifinals to take on either Osama by Lavie Tidhar or Beyond Here Lies Nothing by Gary McMahon.

To see the whole bracket, click here.

Wednesday, April 01, 2015

Battle of the 2012 Books, Bracket Eight, First Round :: The Diviners by Libba Bray vs. Sharkways by A. J. Kirby


Our second match in the first round of Bracket Eight of the Battle of the 2012 Books has The Diviners by Libba Bray doing battle with Sharkways by A. J. Kirby. The winner will be the book I (Aaron) most want to continue reading after 25 pages.

The Diviners: Little Brown, September 2012, 578 pages, jacket illustration by I Love Dust. The Diviners is a young adult fantasy set in the roaring 1920's. In the prologue, a Ouija board brought out to liven up a party appears to set a malicious spirit free. The next two chapters are from the point of view of teenaged flapper Evie O'Neill, who lives in Ohio but is about to be sent off to New York, and Harlem numbers-runner Memphis Campbell. It seems Both Evie and Memphis have some supernatural abilities. Evie can divine people's secrets by handling an object of theirs, and Memphis is having dreams foreshadowing troubles ahead.

Libba Bray is a highly regarded YA author who often ventures into SF/F material, including in her Gemma Doyle trilogy, beginning with A Great and Terrible Beauty. The Diviners was a finalist for the Andre Norton Award and the Bram Stoker Award.

Sharkways: Damnation Books, September 2012, 126 pages, cover art by Dawné Dominique. The protagonist of Sharkways is real estate developer Bill Minto. The book opens with two chapters of Minto visiting a private hospital for migraines, in which we learn that Minto is overweight, obsessed with female body parts, paranoid, and has an alcoholic wife (who probably has an alcoholic husband). When the nurse takes a blood sample, he has a seizure, after which he hears the nurse and doctor have a bizarre conversation about whether he's been inside the sharkways. He then has an MRI, which proves inconclusive. The doctor tells him the migraines are probably caused by stress.

A.J. Kirby is the British author of six novels, either self-published or from small publishers, and dozens of short stories appearing in small press magazines, with emphasis on thrillers and horror.

The Battle: This is a classic example of what the first round of the Battle of the Books is all about. Give me a hook, something to trigger my interest and make me want to know more. An interesting character, an unusual setting, the beginnings of an intriguing storyline. Sentence by sentence, The Diviners and Sharkways are both decently written, with some nice turns of phrase, but only one of them meets my challenge.

I like the 1920's Manhattan setting of The Diviners, which promises to lend the book a distinctive energy. In contrast, the first two chapters of Sharkways are literally set in a white room.

I'm interested in the characters who have appeared in the opening of The Diviners, especially Evie O'Neill. She's not especially likable so far, seeming rather self-absorbed, but we can already tell her flamboyant personality is masking pain from her brother's death in the Great War and her cold treatment by her parents. I want to learn more about her and see how she develops when she arrives in New York. Meanwhile, the only character introduced through 25 pages of Sharkways is presented as a completely uninteresting slob.

Finally, the opening of The Diviners gives us to expect a story in which an evil spirit will come into contact with characters who are just starting to understand their psychic abilities. It's not a compelling storyline, but at least gives me something to look forward to. The opening 25 pages of Sharkways give us no hint of what kind of story to expect. Nothing of significance has happened except for the unexplained use of the word "Sharkways." The plot has simply not yet begun.

Perhaps Sharkways will yet turn into an enjoyable book, but Kirby's reluctance to get the story moving does not play well in the Battle of the Books format.

THE WINNER: The Diviners by Libba Bray

The Diviners advances to the second round to face Your House Is on Fire, Your Children All Gone by Stefan Kiesbye.

To see the whole bracket, click here.