Weird Moves at Weird Tales

Ann VanderMeer has announced that she will no longer be editing Weird Tales. Apparently Marvin Kaye has purchased the magazine, intending to edit it himself.

I find this decision most unfortunate and, I must say, rather weird. Weird Tales had become a much more interesting magazine under Ann VanderMeer and her staff, an intriguing blend of high fantasy, dark fantasy, absurdism, even a little science fiction. It's had a gorgeous look with Mary Robinette Kowal as art director and interesting features under non-fiction editor Paula Guran. I wasn't the only one who was impressed -- the magazine just won its first Hugo Award two years ago.

VanderMeer says the first issue with Marvin Kaye as editor will be "Cthulhu-themed," which suggests the new direction will be a big step backwards. Perhaps there's still a large untapped market for H.P. Lovecraft and Robert E. Howard pastiches, although the ongoing struggles of Weird Tales to stay afloat since the 1950's suggest otherwise. But as much as I love the old pulp version of Weird Tales, it seems to me that writers have already had plenty of time to add to the Cthulhu mythos and explore Conan-style sword & sorcery. I suppose I shouldn't pre-judge what Marvin Kaye plans for Weird Tales, but his initial decision to jettison the current excellent staff does not bode well.

I just subscribed to Weird Tales for the first time this year, but now I highly doubt I'll be renewing that subscription.

Aaron's Story Recommendation of the Week :: Maddy Dune's First and Only Spelling Bee by Patrick O'Sullivan

The story recommendation of the week is for "Maddy Dune's First and Only Spelling Bee" by Patrick O'Sullivan, from Writers of the Future, Vol. XXVII. The striking illustration is by Meghan Muriel -- you can see more of her amazing portfolio, along with news of her upcoming projects, at her Facebook page.

So I had decided the stories in Writers of the Future 27 should not be eligible for SROTW since, having spent nine days together with all the other WOTF27 authors, I am far too deeply biased to evaluate the book objectively. But I just can't help myself. This book include some of the best works of short fiction I've read in the past several years, and I want them included in the SROTW honor roll.

The most I can do is limit myself to three of the stories that particularly speak to me. This should not be taken to suggest anything at all negative about any of the other WOTF27 stories, every one of which is written at a very high level (excluding my own, which I can't comment on), and I am proud to appear alongside all of these talented (and super-nice) new authors. Two of them, Keffy Kehrli and Jeff Lyman, have already received story recommendations for non-WOTF pieces, and I suspect they all will before long.

So with that disclaimer, we begin with Patrick O'Sullivan's "Maddy Dune's First and Only Spelling Bee." "Maddy Dune" is Patrick O'Sullivan's first published story, but it is so imaginative and beautifully written, I am certain we will see much more outstanding work from him in the future (which hopefully he will tell us about at his web page).

Maddy Dune is a part-human, part-"spectral hound" girl adopted by human stepparents, who have been teaching her magic. She does not fit in well in polite society, but she hopes success in the big spelling bee will help. Maddy lives in a world where "spelling bees" have nothing to do with whether "i" comes before "e."

Most of the tale takes place on the stage of an auditorium, yet this is a tremendously vivid and engaging story. I enjoyed this piece from start to finish, and I read it to a group in my office who loved it as well. You need to find a copy of Writers of the Future, Vol. XXVII and read "Maddy Dune's First and Only Spelling Bee." And then, since you have the book anyway, why not check out some of the other stories?

Aaron's Story Recommendation of the Week :: Gingerbread and Ashes by Jaelithe Ingold

My story recommendation of the week is for "Gingerbread and Ashes" by Jaelithe Ingold from Issue #1 of Arcane Magazine.

"Gingerbread and Ashes" is told from the point of view of Hansel, many years after he and Gretel encountered their witch. Now Gretel has disappeared, and Hansel returns to the witch's gingerbread house, on the hunch that Gretel has been drawn back to the scene of their famous story. If that sounds like a formula for a charming or silly tale, guess again. "Gingerbread and Ashes" is marvelously creepy and disturbing.

Hansel and Gretel have had a bitter go of it since their famous adventure, for none of the villagers wished to believe their story. The remains of the gingerbread house serve to remind them of their lost innocence:

My ebony walking cane helps me to totter along the dirt. Peppermint sticks once formed railings along the toffee-colored path, but both are now gone. Licked away by the forest.

We discussed it once. Whether the gingerbread house should have vanished when the witch died. If the house was enchanted, if its survival depended upon the witch, then it should have long melted into the forest floor.

But the house remains far beyond the witch's lifetime, which means something else is at work here.

In the gingerbread house, Hansel encounters a ghostly presence, or perhaps two, and sorting out who is who makes for an engaging story. On a metaphorical level, "Gingerbread and Ashes" is a powerful examination of how difficult it is for children who survive a traumatic experience to move past it and have a healthy adult life.

Arcane Magazine (subtitled "Penny Dreadfuls for the 21st Century") put out a call for the kind of stories H.P. Lovecraft or Clark Ashton Smith might be writing today if they were still around. The stories editor Nathan Shumate has selected are mostly dark, but in an interesting variety of ways, including the odd tongue-in-cheek piece. But I'm biased, since I have a story forthcoming in Arcane (one of the tongue-in-cheek ones), assuming the magazine finds enough support to keep it afloat.

I've never met Jaelithe Ingold and I know almost nothing about her, but apparently her work appeals to the same editors mine does. She and I have both appeared in Linger Fiction this year, we've both sold a story to Arcane, and we both have stories forthcoming in Abyss & Apex. Here's hoping she sells to Asimov's and F&SF very soon!

Aaron's Story Recommendation of the Week :: The Hanged Poet by Jeffrey Lyman

My story recommendation of the week is for "The Hanged Poet" from the June 2011 issue of Orson Scott Card's InterGalactic Medicine Show. I am deeply biased on this one, since Jeff Lyman was one of my fellow winners of this year's Writers of the Future Contest, but this story is far too good for me not to recommend. Anyway, it's most appropriate for Jeff to get a recommendation from a fellow WOTF winner, since the entire June issue of IGMS is made up of stories by former WOTF winners.

The protagonist of "The Hanged Poet" is General Veritas, a military leader who helped build an empire, but now has been unwillingly retired by the emperor. As he travels alone to the nearly-forgotten homeland of his youth, he comes across the body of a hanged woman:

She was a young woman, small, pale-skinned as all northlanders were, and long dead. A weathered shift of gray wool hung down from her shoulders. Her hands had been bound behind her back, and her bare feet dangled at the height of his chest. The toes the dogs had not worried over were black with frost. . . .

She swung slowly after the dogs' last attentions, and her rope creaked. He would cut her down to keep the noise from bothering him while he slept.

"May I share your tree tonight?" he said, then joked, "Maybe later I'll hang myself beside you."

Her eyes snapped open, eyes washed-out blue like the winter sky. Veritas leapt back, stumbling on a branch beneath the snow.

"I wouldn't mind some company," she said in a dry voice, like leaves skirling across cobblestones. "But I don't think you want to rest up here. It's going to get cold when the sun sets."

The hanged woman is a long-dead poet, in a world where poems can effect powerful changes. General Veritas has already had poetry greatly change his life, and the hanged poet promises at least one more alteration to come.

The tale is told mostly through dialogue between the two characters, exquisitely written dialogue that gradually reveals the characters' fascinating and cleverly interrelated backstories. This is a story in which almost nothing happens onstage, and yet Lyman manages to make it all feel dramatic and satisfying. Outstanding work!

Aaron's Story Recommendation of the Week :: The Limits of Bioinformatics and the Problematic of Meaninglessness: A Case Study by David Hollander

My story recommendation of the week is for David Hollander's "The Limits of Bioinformatics and the Problematic of Meaninglessness: A Case Study," from Issue #2 of Cousin Corinne's Reminder.

Cousin Corinne's Reminder is a mainstream literary magazine, but it also includes comics and photography, and if Hollander's story is any indication it is open to genre work. David Hollander, author of the book L.I.E. and various short fiction, is a mainstream writer who has occasionally flirted with genre. In particular, his story "The Naming of the Islands" from McSweeney's was reprinted in Best American Fantasy: 2008, edited by Ann and Jeff VanderMeer.

"The Limits of Bioinformatics" is unqestionably either science fiction or fantasy, depending on whether you deem its protagonist an alien or an angel. The unnamed protagonist (toward the end he is designated "TK421," a little Star Wars in-joke) arrives on Earth with a "time fractalizer," which allows him to live many years in a single day of his life span. Armed with a healthy supply of Wellbutrin, he is assigned "Experience Project 23DX9: The Problematic of Meaninglessness."

With each years-long day, the protagonist tries a new approach to the problem of meaninglessness. Monday he explores sex and love, marrying a woman named Penelope and living with her until exposure to him kills her. Tuesday he tries physics, Wednesday religion, Thursday art, and so on. Of course, he finds no easy answers.

The story is a nice framework for Hollander's philosophical exploration of what gives life meaning. It begins from a very cynical viewpoint. For instance, Penelope builds her life around a partner whom we know for a total fraud:

Penelope knew only his Mission Identity, and not the dynamic and multifaceted Explorer he truly was, and so what she loved was not him and what he was she could never love. This, he realized, was not particular to his case.

But later in the story, as the narrator struggles to find any other source of meaning, he looks back fondly on his faux-marriage, and the cynicism starts to melt away.

I was initially annoyed at Hollander's overtly tongue-in-cheek approach to his fantastic material, as if assuring mainstream readers that he doesn't really go in for that sci-fi stuff, but he won me over with his clever writing and his thought-provoking philosophical ideas. Genre and mainstream readers alike should find much to enjoy and to think about in "The Limits of Bioinformatics."

Signing Books Like a Real Writer Would

On Sunday, June 26, at 3:00 p.m., I'll be signing copies of Writers of the Future, Vol. XXVII at the Broadway Book Mall, at 200 S. Broadway in Denver. Appearing with me will be Erik Jean Solem, one of the winning illustrators; J Alan Erwine, local author whose new book is Red Moon Rising; and Laura Givens, Red Moon Rising's cover artist.

The event is hosted by Ron & Nina Else of Who Else! Books, who are the nicest couple you could ever hope to meet. Their little shop has hosted some of the best authors in the world -- Connie Willis was there last weekend, for instance, and Ken Scholes will appear there tonight -- but they are also kind enough to provide a forum for local wannabes like me.

So if you happen to be in Colorado and are interested in the Writers of the Future Contest, or you like to support local aspiring writers, or if you just want a free slice of cake (provided by the extremely generous, supportive folks at the Denver office of Dorsey & Whitney LLP), drop by and check it out!

Aaron's Take on the Russ Pledge

SF Signal ignited a debate with yesterday's "Mind Meld" post on the "Russ Pledge," which was Nicola Griffith's suggestion that everyone "pledge to make a considerable and consistent effort to mention women's work which, consciously or unconsciously, has been suppressed."

The debate stemmed from the fact that when The Guardian asked readers to name their favorite science fiction novels, the readers' list was dominated by male writers. (It was originally suggested that only 18 of 500 writers mentioned were women, but commenters on the SF Signal thread quickly discredited this calculation. A more plausible tally showed that 20 out of 160 authors named were women, or 12.5%.) Pro-Pledge commenters found this appalling and some accused any defenders of the status quo of sexism. Anti-Pledge commenters quickly took offense at being labeled sexist.

As is often the case with these Internet slugfests, I disagree with both sides.

The pro-Pledge side of the debate begins from an invalid assumption, that gender imbalance when people name their favorite books translates to existing gender bias in the SF/F field. When you ask people their favorite book, they will take that to mean their favorite book ever, which tells us very little about what they are reading and enjoying now. It is an unfortunate fact that for most of the history of the SF/F genre, there was a gender disparity among the authors. As a result, most of the all-time classics of the field were written by men. We may expect that lists of readers' all-time favorite works will reflect that disparity.

That does not necessarily mean that gender bias remains pervasive in the field. I suspect reasonable measures of readers' current favorite works would show far less disparity. For example, this year's Hugo ballot includes 10 works of fiction by women and 9 by men. The genre seems to have made commendable progress in this area.

Meanwhile, the anti-Pledge side of the debate is bristling at a suggestion that strikes me as entirely innocuous. What could be the objection to mentioning works by women when discussing science fiction and fantasy? You would have to circle pretty far out of your way to avoid doing that.

When I make story recommendations on this blog, I apply only one bias: I am particularly on the lookout for good stories by newer authors and from smaller publications, which readers might easily overlook. I pay no attention to the authors' gender (or to their race or religion or sexual orientation, etc). Yet to date I have given 39 story recommendations to stories by women, compared to 23 to stories by men (including a number to writers who are black, Asian, trans-gender, etc). There are just that many excellent new female writers out there.

So on the one hand I don't think it's instructive that my list of all-time favorite SF/F works is a male-dominated group (which it is, although it certainly includes some women authors, beginning with Ursula LeGuin, Octavia Butler, and Connie Willis). Nor can I see any difficulty with pledging to mention women authors when discussing SF/F, given that they are such a vital part of the field today.

Final Writers of the Future Update

I've been at the Writers of the Future workshop all week, which has been great fun and a terrific learning experience. K.D. Wentworth and Tim Powers have done a wonderful job as the primary instructors, and multiple outstanding authors have guest lectured (and regaled us over drinks and at last night's picnic) -- including Kevin J. Anderson, Doug Beason, Gregory Benford, Eric Flint, Nina Kiriki Hoffman, Yoji Kondo (aka Eric Kotani), Rebecca Moesta, Mike Resnick, Kristine Kathryn Rusch -- with still more to come. This is such a remarkable experience, any aspiring authors out there owe it to yourselves to take a shot at this contest.

My fellow winners are a tremendously talented group, not to mention a bunch of very nice folks. It was a huge thrill to see the illustration for my story done by Illustrators of the Future winner Frederick Edwards, which is just perfect. And Cliff Nielsen's cover art for the anthology is outstanding.

If any of you are bored and want to see some of the award ceremony, it will be Sunday at 6:30 p.m. West Coast time, streamed live at the Writers of the Future web site. (There's also a blog there with many photos and with Jordan Lapp & Tim Powers scurrilously questioning my integrity.)

Aaron's Story Recommendation of the Week :: The Trojan Girl by N.K. Jemisin

The story recommendation of the week is N.K. Jemisin's "The Trojan Girl."

This is our second straight SROTW to come from the Spring 2011 issue of Weird Tales, which has held to a very high level of quality under editor-in-chief Ann VanderMeer and her excellent staff, including Mary Robinette Kowal as art director. One thing I like about the current staff's approach to Weird Tales is the diversity of stories they are publishing, including high fantasy, dark fantasy, absurdist work, even a smattering of science fiction.

"The Trojan Girl" starts out as a werewolf tale, but soon shapeshifts into a science fiction story about rogue artificial intelligences. The protagonist Meroe is the co-leader of a pack of programs, which inhabits the "Amorph," a future version of the Internet using direct brain interfaces. The story tells of their hunt for a new inhabitant of their world, whose astonishingly pure code they hope to scavenge. As the story title suggests, there is more to her code than they realize.

Jemisin's focus is on the mood of the piece, not the underlying technologies. She tells us only fleetingly of the nature of this electronic wolfpack, but it is enough to satisfy. Jemisin does a marvelous job of generating sympathy for her powerful yet childlike characters:

In the Amorph, there were times that passed for night--periods when the Amorph had an 80% or greater likelihood of stability, and they downclocked to run routine maintenance. In these times Meroe would lie close to Zoroastrian and touch her. He could not articulate what he craved, but she seemed to understand. She touched him back. Sometimes, when the craving was particularly fierce, she summoned another of their group, usually Neverwhen. They would press close to one another until their outer boundaries overlapped. All their features, all their flaws, they shared. Then and only then, wrapped in their comfort, would Meroe allow himself to shut down.

Sometimes he wondered what humans did, if and when they had similar needs.

N.K. Jemisin was a Hugo nominee last year for her short story "Non-Zero Probabilities," and is on this year's best novel ballot for The Hundred Thousand Kingdoms. I like "The Trojan Girl" even better than those award-nominated works.

Aaron's Story Recommendation of the Week :: Augusta Prima by Karin Tidbeck

My story recommendation of the week is for "Augusta Prima" by Karin Tidbeck, from the Spring 2011 issue of Weird Tales.

Karin Tidbeck is a Clarion graduate who has published various work in Sweden, but only recently turned to writing in English. "Augusta Prima" is the first story of hers I have seen, but several others are forthcoming. It is clear from "Augusta Prima" that Tidbeck has a wonderful facility with the English language.

Title character Augusta is a denizen of a very strange and decadent fairy world. The story begins with her participating in a most violent version of croquet. She stumbles upon a human corpse, takes the man's gold watch, and soon begins to ask very uncomfortable questions, such as: Why do the hands of the clock move when there is no time in Augusta's universe? She brings her questions to a powerful djinneya:

"I would like to know the nature of time," Augusta said. "I want to know why time can't be measured properly here, and why everything moves around."

The djinneya laughed. "Your kind doesn't want to know about those things. You can't bear it."

"But I do. I want to know."

The djinneya raised her thin eyebrows. "Normally, you are tedious creatures . . . I believe this is the first time one of your sort has asked me a good question. It's an expensive one, but I shall give you the answer. If you really are sure."

"I have to know," said Augusta. "What is the nature of the world?"

The djinneya smiled with both rows of teeth. "Which one?"

It is apparent from early in the tale that Augusta's curiosity may prove dangerous, but the turns in the story are unpredictable and interesting.

This is quite a short piece, but I enjoyed it very much, and I look forward to much more of Tidbeck's work.