Showing posts with label Jeffrey Lyman. Show all posts
Showing posts with label Jeffrey Lyman. Show all posts

Wednesday, March 07, 2012

Aaron's 2011 Hugo Recommendations :: Best Short Story & Best Novelette

I like to make recommendations for Hugo nominations in all the fiction categories, but this year I don't feel I've read enough novels and novellas to make recommendations. For what it's worth, however, so far my favorite novel from 2011 is Leviathan Wakes by James S.A. Corey (aka Daniel Abraham & Ty Franck), and my favorite novella is "The Man Who Bridged the Mist" by Kij Johnson.

On the other hand, I've read over 150 short stories and novelettes from 2011, so I'm very happy to make recommendations in those categories.

MY FIVE FAVORITE SHORT STORIES OF 2011:
Aliette de Bodard, Shipbirth (Asimov's, Feb '11)
Nancy Fulda, Movement (Asimov's, March '11)
Jeffrey Lyman, The Hanged Poet (IGMS, June '11)
Patrick O'Sullivan, Maddy Dune's First and Only Spelling Bee (Writers of the Future Vol. 27)
Ferrett Steinmetz, "Run," Bakri Says (Asimov's, Dec '11)

MY FIVE FAVORITE NOVELETTES OF 2011:
Ian Creasey, "I Was Nearly Your Mother" (Asimov's, March '11)
R.P.L. Johnson, In Apprehension, How Like a God (Writers of the Future Vol. 27)
Adam Perin, Medic! (Writers of the Future Vol. 27)
Matthew Sanborn Smith, Beauty Belongs to the Flowers (Tor.com, Jan '11)
Brad R. Torgersen, Ray of Light (Analog, Dec '11)

The fact that four of my fellow 2011 Writers of the Future winners appear on the list may reflect unconscious bias, but not conscious manipulation -- they really were four of my very favorite stories of the year.

I've listed these in alphabetical order, but out of all of them, my single favorite novelette of 2011 was "Ray of Light" by Brad R. Torgersen, and my single favorite short story was "Movement" by Nancy Fulda.

For more excellent short fiction from last year, click on the "Story Recommendations" label below.

Thursday, July 07, 2011

Aaron's Story Recommendation of the Week :: The Hanged Poet by Jeffrey Lyman

Hanged Poet art by Nicole CardiffMy story recommendation of the week is for "The Hanged Poet" from the June 2011 issue of Orson Scott Card's InterGalactic Medicine Show. I am deeply biased on this one, since Jeff Lyman was one of my fellow winners of this year's Writers of the Future Contest, but this story is far too good for me not to recommend. Anyway, it's most appropriate for Jeff to get a recommendation from a fellow WOTF winner, since the entire June issue of IGMS is made up of stories by former WOTF winners.

The protagonist of "The Hanged Poet" is General Veritas, a military leader who helped build an empire, but now has been unwillingly retired by the emperor. As he travels alone to the nearly-forgotten homeland of his youth, he comes across the body of a hanged woman:
She was a young woman, small, pale-skinned as all northlanders were, and long dead. A weathered shift of gray wool hung down from her shoulders. Her hands had been bound behind her back, and her bare feet dangled at the height of his chest. The toes the dogs had not worried over were black with frost. . . .

She swung slowly after the dogs' last attentions, and her rope creaked. He would cut her down to keep the noise from bothering him while he slept.

"May I share your tree tonight?" he said, then joked, "Maybe later I'll hang myself beside you."

Her eyes snapped open, eyes washed-out blue like the winter sky. Veritas leapt back, stumbling on a branch beneath the snow.

"I wouldn't mind some company," she said in a dry voice, like leaves skirling across cobblestones. "But I don't think you want to rest up here. It's going to get cold when the sun sets."
The hanged woman is a long-dead poet, in a world where poems can effect powerful changes. General Veritas has already had poetry greatly change his life, and the hanged poet promises at least one more alteration to come.

The tale is told mostly through dialogue between the two characters, exquisitely written dialogue that gradually reveals the characters' fascinating and cleverly interrelated backstories. This is a story in which almost nothing happens onstage, and yet Lyman manages to make it all feel dramatic and satisfying. Outstanding work!