Showing posts with label Gregory Lamberson. Show all posts
Showing posts with label Gregory Lamberson. Show all posts

Saturday, June 16, 2018

Black Creek by Gregory Lamberson vs. Ageless by Paul Inman :: Battle of the 2016 Books, Bracket One, First Round, Battle 5 of 8


We continue the first round of Bracket One of the Battle of the 2016 Books. The bottom half of the draw begins with Black Creek by Gregory Lamberson doing battle with Ageless by Paul Inman. The winner will be the book I (Aaron) most want to continue reading after 25 pages.

Black Creek: Medallion trade paperback, 351 pages, March 2016, cover design by Arturo Delgado. Gregory Lamberson is a three-time Stoker Award nominee, who competed in the Battle of the 2015 Books, where he had the misfortune to go up against Ferrett Steinmetz in the first round.

Black Creek is set in western New York's Black Creek Village, formerly known as Love Canal, the site of an infamous case of toxic contamination in the 1970's. The place is finally being resettled after nearly 40 years. The cover of the book suggests that residents of Love Canal who refused to leave in the 70's have changed in the intervening years, but we have yet to see them 34 pages in. (I read past 25 pages again. Protests may be filed with the Fantastic Reviews home office in Overland Park, Kansas.) What we have seen is a remarkably large hornet, which our main characters—residents of Cayuga Island, just next to Black Creek Village—speculate may be a mutant. At the end of Chapter Two, one of those characters, Paul, spots a seven-foot hornets' nest clinging to the side of his house. He tells his son not to mention this to his mother, and says, "I need to buy some wasp spray. A lot of it." What could possibly go wrong?

Ageless: Inkshares trade paperback, 266 pages, May 2016, cover design by Marc Cohen. Ageless, Paul Inman's first novel, was a winner in Inkshares' Sword & Laser contest, although the book does not appear under the Sword & Laser imprint.

Ageless begins in Italy in 1943, where a young girl named Alessandra watches the Axis scientists who have been abusing her pack up to flee the advancing Allied forces. We jump ahead to 2022, where Mark Richards, an intelligence operative, pursues an assassin through the streets of Washington, DC. Then to 2005 Florida, where an irresponsible gamer named Grey Chapman meets a fascinating young woman called Alessandra. He spots a scrape on her arm, which soon after has healed completely, which is our only hint so far that this is the same Alessandra we already met, who apparently does not age. Alessandra confides in Grey that she just escaped a man who is trying to kill her.

The Battle: Through 25 (actually 34) pages, both Black Creek and Ageless are reluctant to reveal what the story is actually about. Black Creek has a long infodump about the Love Canal toxic waste incident, courtesy of Helen (Paul the hornet master's wife) lecturing her impressively attentive high school students, but no sign so far of the savage and/or mutant Love Canal survivors. Ageless has given us a couple hints that Alessandra has survived some 70 years yet still appears to be a young woman. But she has not confessed as much, and we have no idea what she has been doing or who might be after her.

Holding back the essence of the story is usually a good way to drop out of the Battle of the Books quickly. Since here both authors are doing it, I have to ask, which novel has nevertheless given me enough to catch my interest and keep me turning pages?

Starting with Black Creek, the story begins with some fairly inane dialogue, but I gather that's Lamberson creating a normal-seeming middle American setting, before everything goes to hell. The first hint of hell approaching is the huge hornets' nest. Paul's decision to take that out himself is beyond foolish, reminiscent of the stupid teenagers who split up to explore the haunted house in a bad horror movie. Luckily for Lamberson, I love bad horror movies!

Meanwhile, Ageless has not given me much to keep me going. The two characters we've spent the most time with so far are Mark, a very bland government operative, and Grey, a highly annoying twentysomething who sponges off his parents to get by then fails to show up to work when he finally gets a job. I'm hoping Alessandra herself will be a more engaging character, but so far I don't know that. Add to this slow opening a major stumble out of the starting blocks: there is a ten-page scene in which Mark chases an assassin, which (based on what we know so far) has nothing to do with the plot of this book. As far as we know, it does not matter at all if the guy gets away; this is just here to show us how Mark spends his days. But then only a few pages later, we see Alessandra, who is upset because a killer has been chasing her. But that chase scene happened entirely offstage.

The rules of the Battle of the Books are inflexible. Perhaps Ageless gets stronger as the novel continues. But unfortunately, opening your novel with a long chase scene I have no reason to care about, while telling me about—but not showing—a chase scene that I would care about, that is a quick path to the BotB exit.

THE WINNER: Black Creek by Gregory Lamberson

Black Creek advances to the second round, to take on either Roses and Rot by Kat Howard or Hex by Thomas Olde Heuvelt.

To see the whole bracket, click here.

Friday, April 29, 2016

Battle of the 2015 Books, Bracket One, First Round :: Human Monsters by Gregory Lamberson vs. Flex by Ferrett Steinmetz


We continue the first round of Bracket One of the Battle of the 2015 Books. The bottom half of the draw begins with Human Monsters by Gregory Lamberson going up against Flex by Ferrett Steinmetz. The winner will be the book I (Aaron) most want to continue reading after 25 pages.

Human Monsters: Medallion Press, March 2015, 400 pages. Human Monsters is the sixth and concluding volume of the Jake Helman Files, which began in Personal Demons. One of the Jake Helman books, Cosmic Forces, was nominated for the Bram Stoker Award for Best Novel, one of three Stoker nominations Lamberson has received.

Jake Helman is a private eye specializing in supernatural forces, to which most of the world remains oblivious. As Human Monsters opens, New York City has been devastated by a storm summoned by the storm demon Lilith, just before Jake killed her in the last book. Jake's girlfriend Maria Vasquez is a detective with the NYPD. She has been assigned to investigate a series of deaths attributed to a serial killer taking advantage of the storm, but which she knows to be collateral damage from Jake's last misadventure. Meanwhile, Jake is anxious to locate his missing assistant Carrie, who seems to have run off with all his files.

Flex: Angry Robot, March 2015, 423 pages, cover art by Stephen Meyer-Rassow. Flex is the first book in the 'Mancer trilogy. The second volume, The Flux appeared last October. Steinmetz was a Nebula Award nominee for his novelette "Sauerkraut Station."

Flex is set in an alternate version of our world where 'mancers can perform various kinds of magic, although it's been illegal in the U.S. since magic devastated Europe. And 'mancers can distill their magic into a crystal drug called "Flex," which anyone can take and become temporarily magical. Flex essentially allows you to bend random events to your favor, so you can have nearly anything you want, by apparent good fortune. But there is a backlash, called "the Flux," in which you will suffer from bad luck in proportion to how much you relied on Flex.

In the prologue, a young man uses Flex to win over a beautiful woman, whose boyfriend just happens to call at that moment to confess he's been cheating, which makes her want some angry revenge sex. That's pushing Flex a bit too far, and so after some amazing lovemaking, the gas main underneath them explodes. Then in the first two chapters, we meet Paul Tsabo, a former policeman filled with guilt from shooting a young 'mancer. His marriage has ended and he has gone to work for an insurance company, where he has discovered he has a talent for "bureaucromancy," performing magic with paper. His six-year-old daughter is staying with him when the gas main bursts. He uses his magic to tunnel through the flames separating him from his daughter, only to have the Flux from his bureaucromancy set her on fire.

The Battle: If you like labels, you can say we have two urban fantasies doing battle here, although I think both authors are trying to step outside the usual conventions of the sub-genre.

Human Monsters starts out at a slight disadvantage, because it's the sixth in a series. Lamberson spends most of the first 25 pages filling in background information that regular readers of the series surely already know. Meanwhile, Flex introduces us for the first time to the type of magic in Steinmetz's universe, effectively illustrating just how dangerous it can be.

So there's a lot more drama to the opening 25 pages of Flex. And, as always with Steinmetz, the prose is first rate. Even though Paul, the main character of Flex, doesn't appear until thirteen pages in, I feel like I've already gotten a pretty good sense of his personality. The guy was having a tough go of things even before his daughter caught fire, and my sympathy for him makes me want to keep reading.

I don't yet feel that kind of connection to the characters in Human Monsters. In the opening 25 pages, Maria Vasquez describes some of the bizarre experiences she's had hanging out with Jake, including battling "zonbies" (dunno yet how they differ from zombies) and demons in Central America and back home in New York, but in a dispassionate way that hasn't much drawn me into the story so far. Perhaps reading further would have pulled me in, but the Battle of the Books is cruel that way.

THE WINNER: Flex by Ferrett Steinmetz

Flex advances to the second round to face either Blood Will Follow by Snorri Kristjansson or Hexed by Michael Alan Nelson.

To see the whole bracket, click here.