Kudos to the folks nominating for the Hugo Awards this year. All of this year's Hugo-nominated short stories are well written, and the nominees include my two favorite short stories of 2011, either of which would be a most deserving winner.
Working my way up, "The Cartographer Wasps and the Anarchist Bees" by E. Lily Yu features some beautifully constructed sentences, which are especially impressive from such a young author. But I confess I reached the end without understanding the point of the exercise. The fault may be mine as a reader, but people who nominated this piece for the Hugo plainly got something out of it that I missed.
John Scalzi's "The Shadow War of the Night Dragons: Book One: The Dead City: Prologue" is a very funny parody (and I believe Scalzi ties Connie Willis for most colons in a Hugo-nominated title). I particularly love the first three sentences. I don't begrudge the story's nomination—it's not easy to write something this funny—but to me there's not enough substance for this one to win the award.
"The Homecoming" by Mike Resnick is a strong tale of a father's reunion with his son, who is estranged in more than one sense. The father-son dynamic put me strongly in mind of Resnick's story "One Perfect Morning, with Jackals," which received a well-deserved Hugo nomination in 1991.
That brings us to my two favorite short stories of 2011, and I'd be happy if they tied and both won the award. Forced to pick one, I'm going to make Ken Liu's "The Paper Menagerie" my #2 choice. The story is simple yet moving, presenting basic themes—an immigrant's alienation; how children often don't appreciate their parents until they're gone—in an original and powerful way. Great work by a fellow Writers of the Future winner.
My personal favorite short story of 2011 (and it was from the time it first came out) is "Movement" by Nancy Fulda. Like "The Paper Menagerie," this is a powerful and moving tale, with the added element that it successfully tells the story from a nearly-alien point of view. Most impressively, Fulda uses her protagonist's condition to craft the story's sad and poignant ending. This is a unique and outstanding piece.
Aaron's Ballot for Best Short Story
1. Nancy Fulda - Movement
2. Ken Liu - The Paper Menagerie
3. Mike Resnick - The Homecoming
4. John Scalzi - Shadow War of the Night Dragons: Book One: The Dead City: Prologue
5. E. Lily Yu - The Cartographer Wasps and the Anarchist Bees
Showing posts with label Nancy Fulda. Show all posts
Showing posts with label Nancy Fulda. Show all posts
Monday, July 23, 2012
Wednesday, March 07, 2012
Aaron's 2011 Hugo Recommendations :: Best Short Story & Best Novelette
I like to make recommendations for Hugo nominations in all the fiction categories, but this year I don't feel I've read enough novels and novellas to make recommendations. For what it's worth, however, so far my favorite novel from 2011 is Leviathan Wakes by James S.A. Corey (aka Daniel Abraham & Ty Franck), and my favorite novella is "The Man Who Bridged the Mist" by Kij Johnson.
On the other hand, I've read over 150 short stories and novelettes from 2011, so I'm very happy to make recommendations in those categories.
MY FIVE FAVORITE SHORT STORIES OF 2011:
Aliette de Bodard, Shipbirth (Asimov's, Feb '11)
Nancy Fulda, Movement (Asimov's, March '11)
Jeffrey Lyman, The Hanged Poet (IGMS, June '11)
Patrick O'Sullivan, Maddy Dune's First and Only Spelling Bee (Writers of the Future Vol. 27)
Ferrett Steinmetz, "Run," Bakri Says (Asimov's, Dec '11)
MY FIVE FAVORITE NOVELETTES OF 2011:
Ian Creasey, "I Was Nearly Your Mother" (Asimov's, March '11)
R.P.L. Johnson, In Apprehension, How Like a God (Writers of the Future Vol. 27)
Adam Perin, Medic! (Writers of the Future Vol. 27)
Matthew Sanborn Smith, Beauty Belongs to the Flowers (Tor.com, Jan '11)
Brad R. Torgersen, Ray of Light (Analog, Dec '11)
The fact that four of my fellow 2011 Writers of the Future winners appear on the list may reflect unconscious bias, but not conscious manipulation -- they really were four of my very favorite stories of the year.
I've listed these in alphabetical order, but out of all of them, my single favorite novelette of 2011 was "Ray of Light" by Brad R. Torgersen, and my single favorite short story was "Movement" by Nancy Fulda.
For more excellent short fiction from last year, click on the "Story Recommendations" label below.
On the other hand, I've read over 150 short stories and novelettes from 2011, so I'm very happy to make recommendations in those categories.
MY FIVE FAVORITE SHORT STORIES OF 2011:
Aliette de Bodard, Shipbirth (Asimov's, Feb '11)
Nancy Fulda, Movement (Asimov's, March '11)
Jeffrey Lyman, The Hanged Poet (IGMS, June '11)
Patrick O'Sullivan, Maddy Dune's First and Only Spelling Bee (Writers of the Future Vol. 27)
Ferrett Steinmetz, "Run," Bakri Says (Asimov's, Dec '11)
MY FIVE FAVORITE NOVELETTES OF 2011:
Ian Creasey, "I Was Nearly Your Mother" (Asimov's, March '11)
R.P.L. Johnson, In Apprehension, How Like a God (Writers of the Future Vol. 27)
Adam Perin, Medic! (Writers of the Future Vol. 27)
Matthew Sanborn Smith, Beauty Belongs to the Flowers (Tor.com, Jan '11)
Brad R. Torgersen, Ray of Light (Analog, Dec '11)
The fact that four of my fellow 2011 Writers of the Future winners appear on the list may reflect unconscious bias, but not conscious manipulation -- they really were four of my very favorite stories of the year.
I've listed these in alphabetical order, but out of all of them, my single favorite novelette of 2011 was "Ray of Light" by Brad R. Torgersen, and my single favorite short story was "Movement" by Nancy Fulda.
For more excellent short fiction from last year, click on the "Story Recommendations" label below.
Friday, March 11, 2011
Aaron's Story Recommendation of the Week :: Movement by Nancy Fulda
The story recommendation of the week goes to "Movement" by Nancy Fulda, our second SROTW from the March 2011 issue of Asimov's.This is a short but very powerful piece, the first-person narrative of Hannah, a young woman with "temporal autism," experiencing the passage of time differently from most humans:
[My parents] are not calm and quiet like my brother. They are sweaty from the night air and speak in tense sentences that all jumble on top of each other. If they would bother to wait I might find words to soothe their frantic babble. But they do not know how to speak on my time scale. Their conversations are paced in seconds, sometimes in minutes. It is like the buzzing of mosquitoes in my ears. I need days, sometimes weeks to sort my thoughts and find the perfect answer.Hannah's condition prevents her from having "normal" interpersonal relationships, but it also allows her a unique perspective on the fast-changing world around her and contributes to her exceptional dancing and cognitive skills. Her parents are considering a medical procedure to undo Hannah's condition. Her mother asks her if she wants this done, but of course Hannah cannot answer right away.
This tale has a strong set-up, raising difficult questions about what is most important in life. Reminiscent of Mark Haddon's The Curious Incident of the Dog in the Night-Time, Fulda's narrative does a wonderful job of getting us inside the mind of her unusual protagonist. The story is also spiced with interesting speculations about the implications of new communications technology.
But what makes "Movement" especially memorable is the outstanding ending. In just a few paragraphs, we learn Hannah's decision, we understand why it is so important to her, and we are heartbroken to realize it is unlikely she will be able to make her wishes understood.
"Movement" is an award-caliber story, and clearly a major breakthrough in the career of Nancy Fulda.
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