Showing posts with label Peter Stenson. Show all posts
Showing posts with label Peter Stenson. Show all posts

Thursday, January 07, 2016

Battle of the 2013 Books, Bracket One, Second Round :: Electricity & Other Dreams by Micah Dean Hicks vs. Fiend by Peter Stenson


We begin the second round of Bracket One of the Battle of the 2013 Books with Electricity & Other Dreams by Micah Dean Hicks going against Fiend by Peter Stenson. In the second round, the books are judged after reading a total of 50 pages. The winner will be the book I (Jackie) most want to continue reading after 50 pages.

Electricity & Other Dreams:   New American Press; May 2013 (the collection of 26 stories were published individually from 2010 to 2012); 224 pages; cover design and interior art by Liz Green. Micah Dean Hicks writes "magical realism, modern fairy tales, and other kinds of magical stories." Electricity & Other Dreams got past The Returned by Jason Mott to get into the second round.

My 50 pages of reading included a total of 6 short stories plus one page of another. For the first round of Battle of the Books, I read the short stories "The Alligator Guides", "Ladybaby's Chickens" and "Dog Summer". You can read my descriptions of them here.

For this second round match, I read 25 additional pages, which are the three short stories described below, plus one page of another short story titled "How the Weaver's Wife Killed the Motorcycle Man." No "spoiler alert" endings are revealed.

"The Time of the Wolf" -- Jackson, on a break from work, wants to buy a beautiful jinn-stone ring as a gift for his son. The shopkeeper Abdul Carin of Contractor Town warns him that it is a cursed stone and its evil side effect – death – follows it. Jackson wants it all the more and offers an exorbitant amount of money. Abdul says the jinn stone has power and can literally stop bullets, but the phoenix rising from the fire will make sure that Jackson will die. Jackson thinks that to be hogwash but puts on the ring and can't get himself to take it off. He decides to get his son a different gift. Jackson begins to feel energetic and takes on lots of jobs. But that displaces many other workers, who then try to kill Jackson. Bullets seem to bounce off Jackson. Soon something stranger begins to happen to Jackson.

"When the Plumber Drank the Ghosts" -- A new owner of a haunted house (previously a bar) had hired a priest, an exterminator, and even a weatherman to exorcise the ghosts occupying this abode. Next, Henry the plumber was hired. When the plumber first entered the bar, he saw about 30 ghosts reading newspapers and drinking coffee. The stench of alcohol was strong. The ghosts would sometimes interact with each other and occasionally look at the plumber. Henry discovered that the ghosts were confused as to what the problem was. They had happily occupied the bar with no one complaining. But now, the new owner wanted the ghosts out. Henry decided to first fix the atrocious plumbing in the building. The ghosts followed him around and asked him questions, which he didn't answer. At the end of the day, Henry opened a can of beer and a weird thing happened.

"Dessa and the Can Hermit" -- Dessa collects cans in ditches on the side of the road. She finds a mound of beer cans. She picks up the first can to add it to her sack and finds a finger inside. In another can, there's a nose, and so forth until, before her, is "a shriveled old man with worn out clothes." The old man, the can hermit, asks Dessa to give him back his cans because they make up his home. Dessa responds, "Go live in a hole." Dessa leaves, and the old man crawls after her. When the old man sees that Dessa lives in a trailer, he says that she should understand how he feels because Dessa also lives in a can. Dessa tells the old man that he can have the cans back if he does everything she tells him to do. He agrees. But that's when the evil can collector man, to whom Dessa sells her cans, shows up.

Fiend:   Crown Publishers; 2013; 295 pages; cover design by Christopher Brand. Stenson has published stories and essays in various magazines, newspapers, and journals. He was nominated for a Pushcart Prize: Best of the Small Publishers series.  Fiend is Stenson's first published novel. Fiend defeated Never by K. D. McEntire to get into the second round.

Fiend begins with first-person narrator Chase Daniels looking out a window of the house. He watches a cute little girl creep up to a Rottweiler and rip out its throat. Chase thinks that his high from smoking "scante" has warped his vision. Chase and his friend named Typewriter John are high and getting higher.

Typewriter and Chase are shocked when the Rottweiler-killer girl breaks into the house with the intention of killing, accompanied by little girl giggles. Typewriter picks up a typewriter and kills the zombie girl.

Chase decides to go home to his apartment building, hoping this weird "trip" will end soon – after first setting fire to the room to destroy the murder scene. As Chase and Typewriter travel, they notice that no one is in the streets, no cars drive by. Stores are empty. The first thing Chase sees at his apartment building are cats eating another tenant named Rebecca. Next the guys try Svetlana's apartment. A computer is on and some guy on the computer messages that they should kill Svetlana. Confused, Chase and Typewriter look around — and there is a giggling Svetlana-the-zombie ready to pounce on them.

Svetlana attacks Typewriter, clawing and scratching. Chase picks up a sharp shard and stabs her in the neck so many times that her head rolls off. Chase, continuing with his in-head chatter, wonders if the scratches will infect Typewriter.

It's dusk when they run outside to the Civic and notice that the streets are filling with zombies. They high-tail it out of there! Chase demands Typewriter give him some "thirty rock," which Chase immediately burns and takes some hits. Typewriter drives to Cabela's where they break into the store and steal guns and ammo. As they flee, they get a flat tire but keep driving.

At a gas station, they meet Travis, a semi-truck driver who trades Chase some drugs for guns. Chase gets higher. Travis warns them that the zombies are part of the end of days, the Apocalypse. He also says there’s a zombie virus that affects only healthy people. Suddenly the giggling zombies attack. After firing many rounds, Chase and Typewriter jump back into the car and leave behind Travis who is calling out for help as the zombies close in on him. Chase comes to the realization that "certain people are meant to make it, others aren't."

The Battle:   I was not looking forward to having the fantastical short-story collection Electricity & Other Dreams battle the vulgar, coarse, offensive, dark, zombie-apocalyptic novel Fiend because believe it or not, I really like both books so far.

Electricity & Other Dreams, in the first 50 pages, offers me short stories to ponder. Fortunately, each one was so unique that I never knew what to expect or knew in which direction the characters would go. "The Time of the Wolf" began in a what-seemed-to-be normal Middle Eastern bazaar but it progressed into the world of weird. "When the Plumber Drank the Ghosts" began with some humor and then took me on a trip into the fantastic. Bits of imagery are still with me: the plumber's "right hand was always twisting, working a wrench that wasn't there." "Dessa and the Can Hermit" began creepy and ended creepier. All stories contained vivid imagery.

Entering, again, the world of Fiend, I found myself on a wild ride with drugged-out Chase and his companion Typewriter, who seemed to take control of the situation as Chase became more and more brain-fried with every chapter. The only downside was the continued drug use – can Chase's brain have any functioning part left?

I still enjoyed the distinctive crude metaphors in Fiend, although some made me blush. Their uniqueness, though, deserves recognition in a sea of books out there that use the mundane and recognizable. For example, after taking a hit of "thirty rock," Chase's "smoke expelled with a sigh like pissing in a pool." Chase and Typewriter meet Travis "with eyes like train tunnels and a jaw like a gear shift."

But after reading 50 pages of each book, I (Jackie) must choose a winner to move on in the Battle of the Books. It saddens me that one of these books will not move forward. Although both books have tremendous merit because they are so well-written and captured my interest with their bizarre twists and turns, there is one book that calls to me a millionth of a fraction more.

THE WINNER: Electricity & Other Dreams by Micah Dean Hicks

Electricity & Other Dreams advances to the semifinals to take on either The Best of All Possible Worlds by Karen Lord or The Secret of Abdu El Yezdi by Mark Hodder.

To see the whole bracket, click here.

Thursday, November 05, 2015

Battle of the 2013 Books, Bracket One, First Round :: Fiend by Peter Stenson vs. Never by K. D. McEntire


Our second match in Bracket One of the Battle of the 2013 Books is Fiend by Peter Stenson versus Never by K. D. McEntire. The winner will be the book I (Jackie) most want to continue reading after 25 pages.

Fiend:  Crown Publishers; 2013; 295 pages; cover design by Christopher Brand. Stenson has published stories and essays in various magazines, newspapers, and journals. He was nominated for a Pushcart Prize: Best of the Small Publishers series.  Fiend is Stenson's first published novel.

Fiend begins with first-person narrator Chase Daniels looking out a window. He watches a cute little girl creep up to a Rottweiler and rip out its throat. Thinking that his high from smoking "scante" has warped his vision, Chase retreats from the window toward the company of his friend named Typewriter. Both guys are getting high in Typewriter's house.

Typewriter is just as high as Chase, if not more; so both of them are shocked when the Rottweiler-killer girl breaks into the apartment with the intention of killing again, accompanied by little girl giggles. Typewriter picks up a typewriter and kills the zombie girl.

Chase decides to leave this murderous scene and go home to his apartment building, with Typewriter right behind, hoping this weird "trip" will end soon. They eventually notice that no one is in the streets, no cars drive by. Stores are empty. The first thing Chase sees at his apartment building are cats eating another tenant named Rebecca. Next the guys try Svetlana's apartment. A computer is on and some guy on the computer says they should kill Svetlana. Confused, Chase and Typewriter look around the room — and there is Svetlana, in the corner, ready to pounce on them, already turned into a zombie.

Never:  Harlequin MIRA, September, 2013; 300 pages; cover design by Grace M. Conti-Zils Berger. McEntire has written the first two books of the YA "Lightbringer" trilogy: Lightbringer and Reaper. She has also published a short story, “Heels.”

Never begins with a prologue. It's one a.m. when Laurie hears noises coming from the basement. Laurie opens the basement door of their fix-up home in San Francisco and walks down the steps. Her girlfriend Kara is using a sledgehammer to demolish a brick fireplace. Laurie joins in and both ladies continue with the demolition. Soon the whole façade falls down to reveal a hidden opening.

Laurie has the ability to see a "grimacing and growling" face in all the mirrors. There's a mirror in the basement. When the bricks fall and the hidden room is revealed, the face laughs.

Chapter 1 introduces new characters. A child, Wendy, walks on the beach gathering shells with her mother, Mary. Mother tells Wendy that babies aren't in the Never because they are too pure. Along with other bits of knowledge, Mary gives philosophical advice, such as, "You have to sense what you are missing for suffering to exist....Only with reason, with higher thought, does true misery come." While Wendy asks questions and talks, Mother takes the shells and creates a doorway in the sand. Wendy opens the door and walks through.

Chapter 2 introduces us to adult Wendy who is in a coma and doctors are zapping her to bring her back to life. Walking on the beach with her mother was a coma-dream she had conjured up. Going through the dreamscape shell-lined doorway had awakened her. Surrounding Wendy are some friends: Eddie, Piotr, Lily, and Elle, who are all dead spirits. The Never, I assume, is the real world with which we are all familiar.

In the past, the Lightbringer Wendy had trusted her Light with a Reaper named Jane, who had twisted it. That's why Wendy was in a coma. And Wendy's mother is dead.

The Battle:   Here we have a vulgar, coarse, offensive, dark, zombie-apocalyptic novel battling against a YA urban fantasy novel, the last book of three.

The first 25 pages of Fiend were filled with unique metaphors that helped stamp a definite visual to each scene. However, many of the metaphors and similes were crude and crass; i.e., the bloodied little girl who killed the Rottweiler is compared to "a used tampon." Other metaphors work well by giving details that run smoothly into the story: "my heart is 16th notes." Ignorant comments also fill the pages. Typewriter says that he "smells butt plugs." Chase responds, "grow up." Surprisingly, the crass statements flow smoothly, and fit in as well as the word "fuck" fits in with The Big Lebowski movie — necessary inclusions because the foul-mouthed words help define the characters. We're getting more than a glimpse of the world of drug addicts. The first 25 pages of this dark book drags you into the horror of addiction and spits you out when you have to close the covers of the book. It's decadently exhausting.

The narrator, Chase, shares his internal dialogue and thoughts, which are realistically clear and detailed. As soon as the killer girl-child is dead, Chase worries about how to keep from going to jail. Where did he touch things and leave his DNA? What story should he give to the police, because he didn't kill the girl — Typewriter did! Chase's stream of consciousness goes on tangents as well, with a few alternate-reality "what if" possibilities, which we all create from time to time. There are paragraphs of smoothly flowing flashbacks, giving backstory about our main character.

Stenson seems to be a true writer, which is why he can draw us into this bizarre, zombie-apocalypse novel. It's as if there are two kinds of zombies in this story: the drug addicts who would do anything for a hit and the zombie killers who would do anything to devour some blood and guts.


Never jumped from prologue to chapter one to chapter two with different settings and characters. It seemed to be a strategy to remind people what happened in books one and two — to bring us up-to-speed in order to understand where this series has been and where it's going.

McEntire uses onomatopoeic, sound words, such as, huurrk, slam, and whoosh-hisssshhhh. I loved the words. However, they made me think of words I might find in a book for younger readers. The main character, Wendy, is a strong female heroine, who has amazing abilities — always refreshing to read. I enjoyed learning that "The Never" was our world. Usually, books have characters from our reality entering other realms that have unique names. This twist intrigues me.

In conclusion, after reading 25 pages, I (Jackie) find the obscene, foul-mouthed Fiend an interesting, yet grueling, read. This zombie story has a stimulating plot and makes me want to read more to find out how this zombie disaster began. Never, on the other hand, failed to completely pull me in within the first 25 pages, most of which seemed to be backstory. I understand that some backstory is necessary, but I found the jumping from scenario to scenario not as exciting as it might have been had I read the first two books in the series. Despite my negatives, I give McEntire kudos for writing well and for creating excellent visual scenes.

THE WINNER: Fiend by Peter Stenson

Fiend advances to the second round to take on Electricity & Other Dreams by Micah Dean Hicks.

To see the whole bracket, click here.