Aaron's Take on the 2014 Hugo Nominees for Fiction

Today is the day to cast your ballots for the Hugo Award. Since this seems to be the year for block voting, if you don't know how to vote, I will gladly tell you . . .

Aaron's Ballot for Best Short Story
1. Sofia Samatar - Selkie Stories Are for Losers
2. John Chu - The Water That Falls on You from Nowhere
3. Rachel Swirsky - If You Were a Dinosaur, My Love
4. Thomas Olde Heuvelt - The Ink Readers of Doi Saket

To me, this is a group of three well-crafted stories and one brilliant one. Selkie Stories Are for Losers is elegantly written and in only a few pages creates a memorable main character, a young woman who is hurt and fearful after being abandoned by her mother but who is brave enough not to give up on love. At the same time, the story is an insightful commentary on an entire sub-genre of fantasy stories. This is the kind of piece the Hugo Awards were created to recognize.

Aaron's Ballot for Best Novelette
1. Aliette de Bodard - The Waiting Stars
2. Ted Chiang - The Truth of Fact, the Truth of Feeling
3. Mary Robinette Kowal - The Lady Astronaut of Mars
4. Brad R. Torgersen - The Exchange Officers
5. NO AWARD
6. Vox Day - Opera Vita Aeterna

In the novelette category, my vote goes to Aliette de Bodard, one of the finest young writers in the field. The Waiting Stars exemplifies her work's excellent craft and striking empathy. The other nominees are all good, until you get to the last one.

It would perhaps be more fun if Opera Vita Aeterna were more amusingly bad than it is. Instead, it reads like a lot of stories sent round for critiques in writers' groups: an amateurish effort by an author with some ability who doesn't seem to know yet how to construct an actual story. Opera Vita Aeterna could not have sold to any professional market in the field, and it's doubtful it could have sold even to a semipro, because it's dry and dull and simply does not tell a story. Only one real event takes place in the entire piece and, incredibly, it takes place offstage, even though the primary viewpoint character is there when it happens. Shame on the block of voters who stuffed this turkey onto the ballot. I suspect few of them even read it, yet they nominated it for reasons that have nothing to do with what the Hugo Awards should be about. (And because I do respect what the awards are supposed to be about, my reasons for rating it below "No Award" are unrelated to the author's political views or the offensive way he expresses them.)

The good news is Opera Vite Aeterna is the only one of the Correia slate of nominees that is not written at a professional level, so the embarrassment is not so deep as it might have been. The Brad Torgersen story in this category, for example, is a solid example of the Analog style of writing, even if that style isn't much to my tastes. (Brad, by the way, can transcend that style when he chooses, for instance in his brilliant novelette "Ray of Light.")

Aaron's Ballot for Best Novella
1. Catherynne M. Valente - Six-Gun Snow White
2. Andy Duncan & Ellen Klages - Wakulla Springs
3. Brad R. Torgersen - The Chaplain's Legacy
4. Dan Wells - The Butcher of Khardov
5. Charles Stross - Equoid

Snow White as a Western is a great concept, and no doubt many authors could have done it credit. But could anyone else have turned it into something as striking and captivating as Six-Gun Snow White? Catherynne Valente is a marvel.

Aaron's Ballot for Best Novel
1. Ann Leckie - Ancillary Justice
2. Charles Stross - Neptune's Brood
3. Larry Correia - Warbound
4. Mira Grant (Seanan McGuire) - Parasite
5. NO AWARD
6. Robert Jordan & Brandon Sanderson - The Wheel of Time

I hate to say it, but this strikes me as a lackluster group of best novel nominees. Ancillary Justice is by far my favorite, the most original, the best written, and the most thought-provoking of the group. But then, if we're using thought-provoking as a criterion, Neptune's Brood is the only other nominee to try. The Correia and Grant novels are entertaining but have little to say. I choose Correia over Grant because of the writing quirks in Parasite that annoy me: multiple passages that don't advance the story (minor character drove me home and told me about her dog for five pages), and the fact that the main character's dialogue and the same person's first-person narration are in markedly different voices.

I rate The Wheel of Time below No Award, because it was a terrible precedent to allow that entire series on the ballot at once. I already feel badly for whichever friend of mine writes a brilliant novel in the near future and gets stuck on the Hugo ballot opposite the entire Discworld series. Here's hoping the rule gets clarified to keep multi-volume series off the ballot in future.

Aaron's Story Recommendation of the Week :: Coming of Age on Barsoom by Catherynne M. Valente

The Story Recommendation of the Week is for "Coming of Age on Barsoom" by Catherynne M. Valente, from the anthology Under the Moons of Mars, edited by John Joseph Adams. Catherynne Valente is our fourth three-time SROTW recipient, joining Rachel Swirsky, Aliette de Bodard, and Samantha Henderson.

Taking advantage of renewed interest in Edgar Rice Burroughs' Mars books due to the John Carter movie, Under the Moons of Mars is an anthology of new stories set in the Barsoom universe. The contributors include such top-notch writers as Peter S. Beagle, Joe R. Lansdale, Theodora Goss, Tobias S. Buckell, Austin Grossman, and Garth Nix, among others. It's marketed as a book for young readers, but I think adults will enjoy it just as much, particularly adults like me, who grew up reading Edgar Rice Burroughs.

"Coming of Age on Barsoom" stands as a counterpoint to the John Carter books. From the point of view of one of John Carter's adversaries, it prompts us to wonder why we ever considered John Carter the hero of those stories, when to the Martian natives, especially the green-skinned natives, he was a conquering (and condescending) foreigner. The story is quite thought-provoking.

More importantly, like all of Catherynne Valente's work, it is beautifully written. After a brief introduction styled in the manner of Edgar Rice Burroughs, we go to the first-person narrative of Falm Rojut, Jeddak of Hanar Su, which is written in the poetic style we expect from Valente. Valente's eloquent language gives us a new perspective not only on Burroughs' Martian universe, but on life in general. Here, for instance, is a passage about Falm Rojut emerging from his egg as a child, which resonated perfectly with me, as a parent of a rebellious teenaged human:

They call to us, the mothers and fathers, they say: Be my child. Be my future. Battle me with your laughter and pinching and sneaking out to hunt the banth when you are not nearly ready, fight me with your every breath, your every kiss, while I struggle to make you grown and you struggle to die as quickly as possible, and then when I am grown old take my metal and my name and go on while I recede.

Catherynne M. Valente is a treasure to the science fiction and fantasy genre. Here's hoping she writes as much as Edgar Rice Burroughs did.

Aaron's 2011 Hugo Recommendations :: Best Novel

Hugo nominations are due in just a week, so it's past time to list my favorite SF/F of 2010, starting with best novel. These are the five novels I'm planning to nominate:

Paolo Bacigalupi, Ship Breaker
Aliette de Bodard, Servant of the Underworld
Guy Gavriel Kay, Under Heaven
Nnedi Okorafor, Who Fears Death
Catherynne M. Valente, The Habitation of the Blessed

I expect the Bacigalupi novel to make the final ballot, and I think the others all have at least a chance at nomination, except perhaps Servant of the Underworld. (If de Bodard is nominated this year, it will be for one of her outstanding pieces of short fiction.)

As usual when selecting novels to nominate for the Hugo, I am dismayed to realize how many books from last year by some of my favorite authors I've yet to read. If I could stop time and read everything I'd like to before the nominating deadline, these are the ones I think would be most likely to elbow their way onto my list:

Iain M. Banks, Surface Detail
Greg Egan, Zendegi
Ian McDonald, The Dervish House
China Miéville, Kraken
Connie Willis, Blackout/All Clear

Whether you agree with any of my choices or not, I hope you find time to nominate by next week.

Book Review Teaser :: The Habitation of the Blessed by Catherynne M. Valente

New on Fantastic Reviews is Aaron's review of The Habitation of the Blessed by Catherynne M. Valente.

From Aaron's book review of The Habitation of the Blessed :
In a sense, Catherynne Valente's work doesn't much need reviewing. No one has to tell you it's terrific - just open it up and weird and amazing things will leap off the page at you. The Habitation of the Blessed is beautifully written from the opening lines:

I am a very bad historian. But I am a very good miserable old man. I sit at the end of the world, close enough to see my shriveled old legs hang over the bony ridge of it. I came so far for gold and light and a story the size of the sky. But I have managed to gather for myself only a basket of ash and a kind of empty sorrow, that the world is not how I wished it to be.

If that passage grabs you the way it did me, then you need to read The Habitation of the Blessed. Because there is a great deal more like that in store for you:

When a book lies unopened it might contain anything in the world, anything imaginable. It therefore, in that pregnant moment before opening, contains everything. Every possibility, both perfect and putrid. Surely such mysteries are the most enticing things You grant us in this mortal mere - the fruit in the garden, too, was like this. Unknown, and therefore infinite. Eve and her mate swallowed eternity, every possible thing, and made the world between them.

Catherynne Valente's use of language is consistently exquisite....

...The Habitation of the Blessed is loosely based on the medieval legend of Prester John, a Christian king once thought to rule a strange land somewhere in the Orient. Valente joins a diverse group of modern authors who have written of Prester John, including Robert Silverberg and Umberto Eco - he has even appeared in Marvel comics.

To read the entire review -> The Habitation of the Blessed

Aaron's Take on the 2010 Hugo Nominees :: NOVELS

The biggest problem with this year's best novel category is that there is only one rocket to go around. I like to see the Hugo Award go to a novel that is unique and memorable and thought-provoking and superbly written. Three of this year's nominees, the Bacigalupi, Miéville, and Valente novels, meet those criteria for me.

Out of a very strong field, my #1 choice is The Windup Girl by Paolo Bacigalupi. Bacigalupi is only the third author of the past 25 years to see his first novel nominated for both the Hugo and Nebula Awards, and The Windup Girl is just the sort of once-in-a-generation reading experience that suggests. The novel combines an absorbing story with one of the most fascinating settings I've ever encountered, Bacigalupi's vision of future Thailand. Paolo Bacigalupi will be one of the leading voices of the SF field (and all of literature) for as long as he wants to be. A Hugo Award would be a great way to urge him on to a very long writing career.

China Miéville's The City and the City also features a tremendously inventive setting, the coexisting cities of Beszel and Ul Qoma. The way the inhabitants of both cities learn to unsee one another is fascinating and a powerful metaphor for how people manage to train themselves to avoid facing what is right in front of them. I enjoyed this novel throughout, even though the murder mystery plot is not entirely successful.

Catherynne M. Valente writes in a lush, ornate style that I would detest, except that she does it so exceedingly well. Palimpsest is a beautifully written novel, with striking imagery and a great deal to say about love and sex and the barriers that separate all of us. Valente is one of the very best authors in our field, and I am delighted Palimpsest received a Hugo nomination.

For me, whether I enjoy Robert J. Sawyer's work usually turns on if the ideas of a particular book are interesting enough to overcome the clunky writing. The ideas in WWW: Wake, including a blind woman gaining sight as she encounters an emerging intelligence existing in the Internet, would be strong enough to pass that test but they didn't have to, for I didn't find the writing of WWW: Wake clunky at all. In particular, I would not have thought Sawyer up to the challenge of conveying what it might be like for a blind person to gain eyesight for the first time, yet I found those passages in this novel very powerful and moving. Still, Sawyer can't quite compete with Paolo and China and Cat.

I enjoyed Cherie Priest's Boneshaker, a steampunk zombie adventure that has a lot more going for it than that gimmicky hook might suggest. As described in more detail in my review, Boneshaker is most entertaining, even if not tightly written, but does not compare favorably with the other outstanding works in this category. The same is true for me of Robert Charles Wilson's Julian Comstock, about which I will say nothing more, because I must confess the novel didn't catch my interest enough for me to finish reading it.

With the range and quality of works on this ballot, this is an exciting time to be a science fiction and fantasy reader. I wish I were down under right now, to see one of these outstanding authors receive his or her well-earned recognition.

Aaron's Ballot for Best Novel
1. Paolo Bacigalupi - The Windup Girl
2. China Miéville - The City and the City
3. Catherynne M. Valente - Palimpsest
4. Robert J. Sawyer - WWW: Wake
5. Cherie Priest - Boneshaker
6. Robert Charles Wilson - Julian Comstock

Aaron's Hugo Recommendations :: Best Novel

If I had to submit my Hugo nominations today, these are the novels I would nominate (in alphabetical order by author):

Daniel Abraham, The Price of Spring
Paolo Bacigalupi, The Windup Girl
China Miéville, The City and the City
Ken Scholes, Lamentation
Catherynne M. Valente, Palimpsest

I fully expect the Bacigalupi and Miéville novels to make the final ballot, and I would love to see any of the others recognized as well.

Obviously, there are many great novels from 2009 I have not yet read. Given what I know of the authors and what I've heard about the books, these are the five I suspect have the best chance of moving into my list, in the unlikely event I am able to read them in the next ten days:

Daryl Gregory, The Devil's Alphabet
Malinda Lo, Ash
Adam Roberts, Yellow Blue Tibia
Jeff VanderMeer, Finch
Walter Jon Williams, This Is Not a Game

I will update if my list changes before the 13th.

Aaron's Story Recommendation of the Week :: The Harpooner at the Bottom of the World by Catherynne M. Valente

Sometimes when I'm reading, a passage is so elegantly written that I feel the need to stop and reread it out loud. Tolkien makes me do this occasionally. Ursula LeGuin often does. I just came across a story by Catherynne M. Valente, "The Harpooner at the Bottom of the World", which I felt compelled to read out loud the entire way through.

That makes for an automatic and immediate story recommendation of the week, even if I've already done one this week. (I need to make up for a couple weeks I missed with flu and strep anyway.) Catherynne Valente thus becomes the second author to garner two different story recommendations, joining Paolo Bacigalupi.

"The Harpooner at the Bottom of the World" originally appeared in Spectra Pulse, a promotional magazine issued by Bantam, which it supposedly gives away at conventions, although I've never seen a copy. Thankfully, "The Harpooner at the Bottom of the World" is now available through Valente's web site.

"The Harpooner at the Bottom of the World" illustrates the strengths of Valente's writing, particularly her amazing use of language and her wonderful knack for the story-within-story framework, which she successfully employs here in only a couple thousand words. The framing story tells of a remote archipelago where women inscribe a story on their bellies during pregnancy. The story-within-a-story is that ritual tale, about a woman harpooner "who had known both of the sorrows which are deepest" -- which Valente never identifies -- who travels to the upside-down archipelago at the bottom of the world, where "the dead and the unborn dance together in the blue and black shadows, hand in hand."

Read "The Harpooner at the Bottom of the World," fall in love with it, and then go buy Valente's new novel Palimpsest.

Aaron's Story Recommendation of the Week :: Palimpsest by Catherynne M. Valente

My story recommendation for this week is "Palimpsest" by Catherynne M. Valente, a short story from Paper Cities, an anthology of urban fantasy edited by Ekaterina Sedia (cover illustration by Aaron Acevedo).

"Palimpsest" explores the bizarre eponymous city, which seems to be Valente's answer to China Miéville's New Crobuzon. The story is absorbing from the opening paragraph, when four newcomers to the city meet at a fortune-teller's shop:

Four strangers sit in the red chairs, strip off their socks, plunge their feet into the ink-baths, and hold hands under an amphibian stare. This is the first act of anyone entering Palimpsest: Orlande will take your coats, sit you down, and make you family. She will fold you four together like quartos. She will draw you each a card -- look, for you it is the Broken Ship reversed, which signifies perversion, a long journey without enlightenment, gout -- and tie your hands together with red yarn. Wherever you go in Palimpsest, you are bound to these strangers who happened onto Orlande's salon just when you did, and you will go nowhere, eat no capon or dormouse, drink no oversweet port that they do not also taste, and they will visit no whore that you do not also feel beneath you, and until that ink washes from your feet -- which, given that Orlande is a creature of the marsh and no stranger to mud, will be some time -- you cannot breathe but that they breathe also.

As this excerpt suggests, Valente writes remarkably rich, lush prose. (The same is no doubt true of her poetry, which I have not read.) Usually I avoid authors with such an ornate style, because I find it annoying if not done just right. Thankfully, Catherynne Valente does it just right. She immerses you in her story without letting it become oppressive. Her two-volume fantasy The Orphan's Tales was a World Fantasy Award nominee and won the Tiptree Award and Mythopoiec Award, and there is every indication Valente is just getting started.

"Palimpsest" gives us a preview of Valente's forthcoming novel of the same title, scheduled for release in February 2009. I can't wait.